In this deeply personal book (initially not intended for publication), poet Collins (Admit One, 2016) steps away from her usual explorations of the larger social circumstances in which we live—and the pain they cause—to explore the pain of her husband’s death. This collection reads like a short story with an emergent plot that includes a last-minute twist. Many of the poems stand on their own beautifully, such as “I alone in a restaurant,” but the collection should be read all of a piece and in order. Collins captures the variations in the voice of grief: confusion, despair, irony, and talismanic attention to small details. These poems are stripped and spare; they read almost like erasure poems or like listening in on the poet talking to herself only half aloud. Structurally, some poems nearly dissolve into the white space of the page, requiring careful rereading, while others knot and reknot themselves around a single word. This small book urgently and unflinchingly captures the shock and reverberation of unexpected grief.